![]() As a mid-size, three-way design that can be used in near- or mid-field positions, the SCM45A Pro perfectly fills a gap in ATC’s high-performance, professional active studio monitoring loudspeaker range. The SCM45A Pro is a completely new design, yet shares many features with its smaller sibling, the highly-successful SCM25A Pro three-way, compact active loudspeaker. Distribution).ATC SCM45A Pro (Pair) & ATC SCS70 Pro Sub Bundle ATC SCM45A Pro 3-Way Active Monitors (Pair) My SCM45As practically sound like soffit-mounted mains!”Ĭhiccarelli is so reliant on and impressed by the ATC SCM45A Pro that he recently purchased a second pair for a new overdub room that he opened up in his home-away-from-home, Sunset Sound. It’s an impressive psychological advantage that feeds back to inspire better recordings. I want it to be big and powerful and to reflect who they are as artists. I want the band to come back into the control room and get excited about the work they’re doing. “I do a lot of live tracking sessions with full bands – it’s not just about the vocal. Not only do the ATC SCM45As sound great and produce recordings that reliably translate, they also produce plenty of clean volume. And truth be told, ATCs take that midrange clarity to a whole new level – this is something new under the sun.” New speakers, with the exception of ATCs, are missing that. I think that’s why engineers used to rely so heavily on Auratones, Altecs, and JBLs – speakers that had that clarity in the midrange. Plenty of monitors can impress with their low end or high end, but the midrange is where most of the critical work happens. It’s really the midrange for me – that’s the tell. “Recently I’ve been traveling to Montréal to work on a project with Broken Social Scene, and after I finished pretending that I could get by without my ATCs, Brad stepped in to help me find a local pair that I could use. In the year-and-a-half that he’s had them, Chiccarelli has used them to record, mix, and/or produce Morrissey, Alanis Morissette, Arkells, Needtobreathe, Milow, Spoon… “pretty much everything I’ve done,” he said. That’s the kind of fine detail that I depend on to make the right decisions.” Keen for more low end than the SCM25As could offer, Chiccarelli waited – on the advice of Lunde – for the introduction of the ATC SCM45As, which have two low-end drivers. It was immediately apparent that I had to go move the mic a quarter inch because it wasn’t quite right where it was. We were doing guitar overdubs at the time, and the moment we put the SCM25As up, I heard details that went beyond the capabilities of my old monitors. distributor, TransAudio Group) loaned me a pair of ATC SCM25A loudspeakers. He continued, “But then I was working with The Killers at their studio in Las Vegas, and Brad (Lunde, president of ATC’s U.S. For a long time, it was an unsuccessful search, and I stayed with my old monitors.” People are making bigger, punchier albums these days, with an extended frequency range and plenty of synthesized sounds with extreme frequency content. ![]() “But in the last five years or so, I started looking around for something that would give me that same phase coherence, but greater low-end and high-end content to meet the current expectations in the recording industry. “I had stuck by the same monitors for twenty years because they offered the kind of phase coherence that allowed me to hear, for example, small differences in mic position,” explained Chiccarelli. Inspired by their transparent midrange, extended low- and high-end, and impressive SPLs, Chiccarelli recently switched from the monitors he had been using for two decades to ATC SCM45A Pro nearfields. Since then, Chiccarelli has had the opportunity to work with the biggest and best artists in the music industry, including U2, Beck, Elton John, Rufus Wainwright, Tori Amos, The Strokes, Jason Mraz, The White Stripes, and on and on and on. Joe Chiccarelli at Sunset Sound with his ATC SCM45A Pro.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |